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"Frequently, the original texts of Gisela Romero -created in a unique symbiosis with her plastic work- appear in the drawings as a creative strategy. They are different codes that touch on the complex issue of intertextuality, in an attempt to make a plastic translation of the world. The handwritten word -in what seems to be an unintelligible texture- gives way to the "drawn word", which then becomes the veiled complaint against disagreement or the unexpected. It becomes an expressive resource, used as a compositional element, with its own shape and identity - sometimes forcefully; in others, almost unnoticed." Lieska Husband, 2010
"Gisela Romero transforms the aesthetic elements into plastic metaphors that refer to the dialectic of dualized cultures such as Judeo-Christian between matter and spirit, good and evil. Faced with this conflict, she creates a beauty that reveals the fall and rebirth of the soul, which tries to make matter flourish when confronting the viewer..." Eduardo Planchart Licea, 1994
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Gisela Romero, con una impresionante trayectoria de más de treinta años, es una artista visual que ha dedicado su vida a comunicar emociones a través de su arte. Hoy, en Lector Cómplice, nos sentimos orgullosos de presentar su nuevo libro, "Un Adiós Constante" (A Constant Goodbye), una obra que surge de su más reciente exposición en el Art & History Museums of Maitland, en la cual se exploran temas profundos como la diáspora venezolana y sus consecuencias.
Gisela Romero, con una impresionante trayectoria de más de treinta años, es una artista visual que ha dedicado su vida a comunicar emociones a través de su arte. Hoy, en Lector Cómplice, nos sentimos orgullosos de presentar su nuevo libro, "Un Adiós Constante" (A Constant Goodbye), una obra que surge de su más reciente exposición en el Art & History Museums of Maitland, en la cual se exploran temas profundos como la diáspora venezolana y sus consecuencias.
"Gisela Romero transforms the aesthetic elements into plastic metaphors that refer to the dialectic of dualized cultures such as Judeo-Christian between matter and spirit, good and evil. Faced with this conflict, she creates a beauty that reveals the fall and rebirth of the soul, which tries to make matter flourish when confronting the viewer..." Eduardo Planchart Licea, 1994